Texas Biennial: “Seeding Soil” at K Space Contemporary
September 25, 2024
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Liz Kim reviews an installment of the 2024 Texas Biennial in Corpus Christi at K Space Contemporary.
Liz Kim reviews an installment of the 2024 Texas Biennial in Corpus Christi at K Space Contemporary.
Liz Kim talks with artist Bria Lauren about the importance of family history, photography, and the influence of Houston's Third…
Liz Kim writes on the work of John Biggers and the lasting influence he had on later generations of artists.
Liz Kim writes about the exhibition "Soy de Tejas," a major survey of art about Tejano identity, on view at…
Liz Kim writes about the work of Texas-based, Ghanaian-American artist Japheth Asiedu-Kwarteng.
Liz Kim writes about a group exhibition featuring artists from Gwangju, South Korea, and about a show by San Antonio…
What does it mean to be ethnically Korean in the context of rural Texas, where one is surrounded by ranching…
Liz Kim nos cuenta de su reciente visita a Laredo y habla de los esfuerzos de una nueva organización por…
Liz Kim recounts a recent visit to Laredo and discusses a new organization's effort to bolster arts programming in the…
Liz Kim talks with artist Brian Ellison about his recent projects, his relationship with Houston's Third Ward, and his exploration…
Liz Kim reviews "Uncovered Spaces," an exhibition centered on female and LGBTQIA+ artists at the International Museum of Art &…
Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.
Liz Kim interviews Houston-based artist Rabea Ballin about her practice, process, and her work in the art collective Roux.
Liz Kim reviews a retrospective exhibition of work by Dawoud Bey, on view at the Museum of Fine Arts, Houston.
La escena artística del Valle del Río Grande está en recuperación, por muy precaria que sea.
Liz Kim on artist César A. Martínez's recent exhibition at the Laredo Center for the Arts.
South Texas’ artists and artist-run spaces are projecting familia into an uncertain future.
The show turns the question of territory inward to “here,” to Smith's origins in Brownsville.
This exhibition is about the deep marrow of a Mexican-American family that immigrated to and settled in South Texas.
