Hiromi Tsuji Stringer at Grayduck Gallery
August 1, 2015
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Some works have such a finessed touch that it’s hard not to love them.
Some works have such a finessed touch that it’s hard not to love them.
The idea for the majority of the work comes from a relationship the artist has with another abandoned building: a…
So the show is a push and pull between what is inherent to a space, and what the individual inhabiting…
A more careful curator’s hand might have helped define the transition between these very different kinds of photos Scheidemann presents;…
Maker has transformed grayDUCK from a serene, open space to a maze of disjointed fractions. The exhibition rolls 30 pieces…
Nina Hartman is the kind of thinker who fits right into the world of Farewell Books, and her aesthetic is…
The back and forth emails and exchange of files of information over 4,000 miles of separation forced a creative constraint…
The show is a colorful whirl of precise graphic drawings, and maybe it’s my deep aversion to trendy shapes and…
Walking through the show is a distinctive physical experience. One has to move around treacherous-looking sculpture and be buzzed out…
Storm has a distinct visual language with which he interprets his misery. His sense of ironic martyrdom helps things along.
After the closing of so many art spaces in Austin in the last couple of years, perhaps it’s a sign…
On the whole the show is about different kinds of identity, from mind to body to culture.
Caitlin G McCollom: Why is your promo almost content-free? Free Beer: There is a pile of content, just no context.…
Full of large beauties and tiny subtleties; the show is as much about the anxiety of extinction and the fragility…
